RICH HALL; 3:10 to Humour
Friday 06 March, 8pm
Step away from the mobile phone. Put away the tablet. The wonderfully acerbic comedian Rich Hall is about to come on stage, and he would like your undivided attention.
Rich, one of the most magnetic stand-ups currently at work in this country, is chatting to me in the run-up to hugely anticipated spring tour of the UK – Rich Hall 3:10 to Humour
The American-born comedian, who was raised in North Carolina, emphasises that what he is looking forward to more than anything else on this tour is the experience of performing for you. When he is on stage, there is no barrier between you and him, and both you and he derive tremendous pleasure from that.
Rich begins by underlining his enduring passion for the live arena. “What I love about stand-up is the immediacy of it. Having run the gamut of TV panel shows, after a while you know how to do them and they are not so much fun anymore.
“But now I know I’m going to be on stage somewhere like Farnham, and that prospect is really exciting. For those two hours, no one is looking at their phones. It’s a true non-media event. Those sorts of occasions are rapidly disappearing, and that’s why I value them so much.”
A stand-up whose plainspoken, growling indignation and waspish observations have won him fans all over the world, Rich has been described as a transatlantic messenger lampooning each country he visits with his common sense comedy. To prove the point, he is never less than harsh on his homeland.
His critically acclaimed grouchy deadpan style has established him as a master of absurdist irony and the king of rapid-fire wit. The Montana resident is renowned for his expertly crafted tirades. His biting, yet compelling comedy has helped earn him a Perrier Award in Edinburgh and a Barry in Melbourne. He is a coruscating presence – both on and off stage.
The reviews confirm as much: The Guardian advises that, “Now is the time to grab this chance to see the great man work.” The Scotsman says that, “He creeps up on you and ambushes your funny bone like no one else.” STV declares that his show offers, “Top-drawer stuff from a comedian who just seems to get better and better.” While The Sun simply describes Rich as, “A comedy phenomenon.” Quite.
The stand-up, who was the inspiration for the curmudgeonly barman Moe Szyslak in The Simpsons, says he gets a kick out of touring this country. “I may have become overly familiar with the motorway service stations of the UK, but I really like discovering new places. It’s important to visit out of the way towns because it gives you a new perspective.”
One of the many aspects that distinguishes Rich’s live act is the brilliant way he can craft delightful on-the-spot songs out of the smallest items of information that he gleans from the audience.
The comic, who won two Emmys for his work as a writer on The David Letterman Show, explains that, “I do what Americans call ‘crowd work’. I really enjoy that because I can turn it into improvised songs, which is a big thrill for me. I always have a guitar beside me on stage in case something happens.
“If you told me I would have to listen to anyone – apart from Richard Pryor – on stage for two hours, I’d think, ‘Oh God’. So it’s good to break up the show with musical interludes.”
Rich continues that he does not need a lot of material to work on. “It’s funny, the less I get from people, the more you can improvise. Nothing is out of bounds. I want them to tell me, ‘I’m a clerk,’ rather than, ‘I work for the council finance department and am involved in the end of year expenditure’. As soon as I hear the word ‘clerk’, my head immediately starts formulating rhymes for it.”
The fuel that powers Rich’s act is a marvellous sense of simmering fury. Appearing regularly on Stand Up for the Week, QI, Live At The Apollo, Have I Got News For You and Never Mind the Buzzcocks, the stand-up gets riled by, “The level of incompetence and amount of crap in the world. I’m also incensed by the fact that we are all turning into button-pushing squirrels. That has brought about a serious loss of personality in this impersonal, digitised world.”
Also a very accomplished documentary maker who has fronted six critically acclaimed BBC4 programmes focusing on US popular culture and the Wild West, including Rich Hall’s Inventing The Indian, Rich Hall’s Continental Drifters, Rich Hall’s The Dirty South, How The West Was Lost, Rich Hall’s You Can Go to Hell, I’m Going to Texas and Rich Hall’s Californian Stars the stand-up is equally angry about the by-the-yard, rote nature of so many comedians’ material these days.
He says that, “What is exasperating is that as comedians we live by the word. I see that very swiftly deteriorating, and I find it really scary. There doesn’t seem to be any appreciation any more of the written and spoken word. Everything is turning into shorthand. When a comedian like Dylan Moran gets on stage and speaks in his own very distinctive language, that really appeals to me.
“But nowadays a lot of performers are simply acting out the role of comedian and going through the motions. They use a very predictable cadence of comedy – ‘here comes the punchline’. If you close your eyes, you can hear it coming. But in order to have a very individual way of saying things, you need to perfect that live.”
Of course, Rich is not that irate in reality – it is simply a persona he adopts for comic effect on stage. The comedian, whose latest audio CD, “Waitin’ on a Grammy”, is available to buy on CD and download now from http://store.offthekerb.co.uk, says that, “It works because people know that I’m not really that angry. Anyone that angry should not be doing comedy. With my style of slow-burn comedy, the crowd know that you can’t be that worked up. The worst thing you can do is get really angry on stage – then you’ve lost it and you’re in Michael Richards territory.
“I’m not really angry at all. There are very small outward changes in my emotions. I have a sort of deadpan Walter Matthau visage. People think, ‘This guy looks grumpy’, but that’s just how my face is put together. Your comic demeanour has to match your face. Most comedians fit their face.”
Rich, who in the past was a regular on Saturday Night Live, has enjoyed particular success in this country, where his trademark downbeat style really strikes a chord. The comedian reflects that, “British audiences are always very appreciative of the spoken word.”
The stand-up adds that, “People here also find it refreshing that I’m very detached from America. I’m not waving a flag or pretending that I’m hipper than you because I happen to be from the US. You get that a lot from American comedians.
“They take on an urbane persona, and the references they drop are designed to make you think that they’re clued into things and that you have to catch up with them. If you laugh at them, you’re part of their exclusive club. Their way of cultivating the crowd is to make you think they’re hipper than everyone else. But I’ve never gone in for that sort of act.”
Rich also enjoys the fact that, “Brits like to insult you. Sometimes they come to the stage door after the show and say, ‘We really prefer Lee Mack.’ They don’t even say, ‘We really enjoyed your show – you’re our second favourite behind Lee Mack’! But I know the subtext – they must quite like me if they have waited in line to insult me!”
Finally, Rich reiterates how much he is relishing the idea of playing to British audiences once more and receiving our rapt attention. He concludes that, “You have someone’s complete attention, which is almost impossible nowadays. You can’t go to a sports event without someone Tweeting about it every five seconds.”
He adds that, “People don’t even listen to President Obama speaking without looking at their phones all the time. So maybe those two hours when I’m up there on stage provide a respite from all of us slowly turning into gadget-pedalling robots.”
“If that’s the case, then it’s pretty cool!”
Tickets Rich Hall’s spring UK tour can be found at www.offthekerb.co.uk